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	<title>stuDIY: recording studio do-it-yourself &#187; acoustics</title>
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	<description>Don't try this at home kids...We're professionals!</description>
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		<title>Studio Construction Photos: Con-Fusion Entertainment</title>
		<link>http://www.studiy.tv/?p=260</link>
		<comments>http://www.studiy.tv/?p=260#comments</comments>
		<pubDate>Sat, 12 Jun 2010 21:47:02 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[How To]]></category>
		<category><![CDATA[NEIA]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[control room]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://www.studiy.tv/?p=260</guid>
		<description><![CDATA[Several months ago I was approached by two former students (Evan Schlosser and Robie Rowland) at the New England Institute of Art to help them to design a studio in a rented space in Allston.  They introduced me to their partner Arjun Ray and I started consulting with them.  The space was being converted into [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Cheaper Alternatives for Audio Cabling?</title>
		<link>http://www.studiy.tv/?p=185</link>
		<comments>http://www.studiy.tv/?p=185#comments</comments>
		<pubDate>Tue, 22 Dec 2009 17:32:07 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[reviews]]></category>

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		<description><![CDATA[The following is a Facebook exchange that I had with a former student outfitting his new studio.Â  He raises some great questions about what makes a cable compatible with audio.
JB:
if i were to put an audio snake through 1 1/4 conduit and i were to use cat5 as a temporary cheap(free) way to do this [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Audio Quality: How to Build a Listening Room (Part 1)</title>
		<link>http://www.studiy.tv/?p=161</link>
		<comments>http://www.studiy.tv/?p=161#comments</comments>
		<pubDate>Sat, 24 Oct 2009 21:42:27 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[How To]]></category>
		<category><![CDATA[Listening]]></category>
		<category><![CDATA[acoustic treatment]]></category>
		<category><![CDATA[acoustics]]></category>

		<guid isPermaLink="false">http://www.studiy.tv/?p=161</guid>
		<description><![CDATA[At this year&#8217;s AES meeting in New York City, the AES Educators took up the topic of how to teach our students to recognize and strive for the highest quality audio possible.Â  In order for us to teachÂ  techniques to attain the highest audio quality,Â  students must have access to good listening environments. The traditional [...]]]></description>
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		<title>What books do I need for Survey of Music Technology at UML?</title>
		<link>http://www.studiy.tv/?p=57</link>
		<comments>http://www.studiy.tv/?p=57#comments</comments>
		<pubDate>Fri, 23 Jan 2009 22:57:05 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[U. Mass Lowell (UML)]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[product reviews]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[reviews]]></category>
		<category><![CDATA[speaker]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://www.studiy.tv/?p=57</guid>
		<description><![CDATA[As many of you already know, I am now teaching at two colleges: University of Massachusetts Lowell and the New England Institute of Art.Â  At both schools I teach in the Audio Production departments, but at UML, it is called SRT or Sound Recording Technology. I can recommend both of the text books.Â  They have [...]]]></description>
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		<title>DIY: A Jecklin Disk for Stereo Recording with Omni&#8217;s</title>
		<link>http://www.studiy.tv/?p=22</link>
		<comments>http://www.studiy.tv/?p=22#comments</comments>
		<pubDate>Tue, 20 May 2008 16:56:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[acoustic treatment]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[microphones]]></category>

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		<description><![CDATA[What&#8217;s a Jecklin Disk?
A Jecklin Disk is a device that helps to record the most natural sounding stereo image that I have been able to achieve.  It is a 12 inch circular disk with acoustically absorptive foam on both sides.  Omni-directional microphones are mounted on both sides of the disk.  The foam [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>DIY: Building Acoustic Treatment for a Piano Room</title>
		<link>http://www.studiy.tv/?p=21</link>
		<comments>http://www.studiy.tv/?p=21#comments</comments>
		<pubDate>Wed, 09 Apr 2008 21:48:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[acoustic treatment]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>

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		<description><![CDATA[The following is a step-by-step explanation about how to build acoustic treatments that are easy, economical and quite beautiful.
Why We Needed the Treatment in the First PlaceAt our wedding, my wife and I were given by our friends and family contributions toward buying a Yamaha U-3 upright acoustic piano. We fell in love with one [...]]]></description>
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		<slash:comments>10</slash:comments>
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		<title>Forensic Acoustics: the Gary Zerola trial</title>
		<link>http://www.studiy.tv/?p=20</link>
		<comments>http://www.studiy.tv/?p=20#comments</comments>
		<pubDate>Mon, 31 Mar 2008 21:44:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>

		<guid isPermaLink="false">http://www.indecentmusic.com/blog-wp/?p=20</guid>
		<description><![CDATA[Earlier this month I was hired by Janice Bassil, of Carney &#38; Bassil, P.C. , to conduct a series of acoustic tests to determine audibility and intelligibility between different rooms in a Beacon Hill apartment in Boston.
The apartment in question is on both the first and basement floors of a multi-unit building.  The first [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Designing a Teaching Studio for the Northshore Recovery High School</title>
		<link>http://www.studiy.tv/?p=12</link>
		<comments>http://www.studiy.tv/?p=12#comments</comments>
		<pubDate>Mon, 24 Sep 2007 14:14:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[Recovery High School]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[control room]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[studio]]></category>

		<guid isPermaLink="false">http://www.indecentmusic.com/blog-wp/?p=12</guid>
		<description><![CDATA[Almost a year ago I was introduced to Michelle Lipinski, the director for the Northshore Recovery High School.  One of the folks working at the school knew Woody Giessmann from Right Turn and Woody recommended that I might be a good guy for the job of designing and building a recording studio for the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The &quot;Shark Fin&quot; Cabinet Construction</title>
		<link>http://www.studiy.tv/?p=11</link>
		<comments>http://www.studiy.tv/?p=11#comments</comments>
		<pubDate>Sun, 23 Sep 2007 16:20:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[Shark Fin]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[speaker]]></category>

		<guid isPermaLink="false">http://www.indecentmusic.com/blog-wp/?p=11</guid>
		<description><![CDATA[ I have finished building the first cabinet prototype of the Shark  Fin Portable PA. I used 1/2&#8243; plywood for the shell of the cabinet and  2x stock wood ripped into specific shapes and angles for the frame of  the cabinet. Elmer&#8217;s Carpenter&#8217;s glue was the main glue for the construction. I [...]]]></description>
		<wfw:commentRss>http://www.studiy.tv/?feed=rss2&amp;p=11</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The &quot;Shark Fin&quot; Portable PA Project: Design Considerations</title>
		<link>http://www.studiy.tv/?p=10</link>
		<comments>http://www.studiy.tv/?p=10#comments</comments>
		<pubDate>Fri, 14 Sep 2007 14:35:00 +0000</pubDate>
		<dc:creator>Hendrik Gideonse</dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[Shark Fin]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[audio]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[monitor]]></category>
		<category><![CDATA[speaker]]></category>

		<guid isPermaLink="false">http://www.indecentmusic.com/blog-wp/?p=10</guid>
		<description><![CDATA[Only a few battery powered PA&#8217;s are available on the market today and most of them have design flaws or limitations.  My goal is to create a design that uses digital amp technology (Class-D) that runs on standard batteries AA, C or D, or on a lead-acid car battery, that uses small speakers to [...]]]></description>
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